-By Warner Todd Huston
I was recently reading an article about the folk music scene as it developed in the 30s and 40s and it hit me that these people were yet another example of how leftists take a culture and corrupt it to push their political schemes instead of merely presenting their philosophies and legitimately winning converts.
The article on the folk music scene noted that the nationalized folk scene started in the early 30s with people like Alan Lomax, Woody Guthrie, and later Pete Seger and ultimately Bob Dylan–the latter of whom turned his back on the genera after undermining its legitimacy with his protest against it.
Folk music, as the nation came to know it, was not an organic creation, but essentially a leftist propaganda program built on the music of the common folks of the Appalachians, a generation before. But instead of crying about politics, the backwoodsie originators of the sound were singing about life, love, and family, they weren’t singing about the workers, capitalism, or the proletariat–subjects that most people equate “folk music” with today.
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The Left Corrupts and Steals a Culture, It Doesn’t Convince”