Book Reviews

-By Warner Todd Huston

It is always curious when left leaning artists, writers and musicians get in high dudgeon when the American people criticize them for their overtly political statements. These leftist artists often argue that the “integrity of the art” means that critics have “no right” to criticize them. But there is a great amount of hypocrisy in the art world over the issue of “artistic integrity” because these same people exert a good deal of peer pressure against any art that might have a conservative viewpoint. A recent L.A.Times Book section report on the works of Sci-Fi writer Robert Heinlein’s work is a perfect example of this attack of a conservative author’s work by the American left.

First of all, the “integrity of the art” argument does, indeed, hold some water. After all, in a free society an artist has every right to make his art in any manner he might wish. But even as artists may have the right to express themselves, that right has nothing what ever to do with any right of these artists to be heard. There simply is no such corresponding “right” for any artist’s work to be seen or heard by the public. Further, art consumers, whether they be filmgoers, art lovers, music fans, et al, have every right not to patronize the work of an artist whom they do not like or appreciate. Failure at the market place does not equate to any stifling of an artist’s rights.

The recent Times article by Scott Timberg titled, “Robert Heinlein’s future may be past,” is a perfect example of the left’s tendency to ostracize and rhetorically attack any art that evinces a perceived lean to the right. In his piece, Timberg has announced the death of Heinlein’s work, sure that it will soon fade away and the reasons that Timberg and those whom he interviews for his anti-Heinlein piece gave for this proclamation of the death of Heinlein’s legacy is instructive for the substance of the criticism. The reasons that these elitists are proclaiming the end of Heinlein is because his work isn’t “progressive” enough to suit their left influenced desires. So, here they are criticizing the integrity of Heinlein’s work and seeing no contradiction in that criticism.

Contrasting this anti-Heinlein position with the stance that entertainers and artists took over, say, the flak the Dixie Chicks took for their verbal attacks on the US and the Bush administration reveals a glaring contradiction.

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